I'm pleased to publish another author interview. A warm welcome to author/poet John Philip Johnson!
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Why do you write what you do?
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Why do you write what you do?
Why I write anything at all comes from a pretty deep place
within. I’ve written a lot since I was 17, and in periods when I don’t write
much, I start feeling shallow and confused. Besides that, writing helps me feel
connected with other people at a significant level.
As to why I write genre work, I finally admitted to myself
a few years ago that I deeply love science fiction, and that the literary scene
is kind of dreary. For one thing, you don’t have as much freedom with literary
work; the voice is pretty constricted into post-modern orthodoxy. And literary
poetry has lost its readership except for other poets. SF poetry, on the other
hand, is still read by people who read it because they love it. They read for
the joy of it, and I really enjoy writing it.
How does your writing process work?
Something strikes me, or I have some intriguing image or
feeling, and it just feels complex or rich. Usually I mull it over until a first
sentence hits me. Then I’m off to the races. I had dinner with SF writer Sheila
Finch, and she said it’s exactly that way for her, too. The idea precipitates a
first sentence. Sometimes I cut it later, but that’s how it starts.
And then sometimes, after that first sentence, the feeling
peters out and nothing comes of it. Other times the force of thought carries
through all the way to the end. When it does, I feel like a Russian gymnast
dismounting the parallel bars. Arms up, chin out! I love that feeling of nailing
it! I think that’s a huge motivator for all of us writers. Going back to your
first question, that’s a big reason we do it, don’t you think? The joy of
nailing it.
What are you working on now?
Working on promoting my comic book, which turned out really
cool, with Marvel Comics legend Bob Hall and others. I hope your readers all go
look at the free sample, and love it, and buy the whole comic. Forgive the
shameless self-promotion! Otherwise, I’m doing more science fiction short
stories. One is about memory augmentation and Alzheimer’s. I hope I can nail it.
I want to write some more novels, but when you write a bad novel, you lose about
a year. I’ve written a few bad novels. That’s one of the reasons I write short
stuff. If you write a bad poem, what do you lose, like, an afternoon or two,
right?
How does your work differ from others in the genre?
Most writers in the genre use more filigree and
deflection, and I tend to write plain, direct sentences. Maybe that comes from
being a Nebraskan. I was trained by Bill Kloefkorn, Hilda Raz, Ted Kooser, and
Greg Kuzma, great Nebraska poets, and they all have a fairly plain style. I
think it’s part of living on the Great Plains.
Also, I’m a Catholic, so my worldview is a little different
than a lot of SF writers. It gives me a certain optimism. The standard old-guard
SF voice, which is still quite powerful, is the nihilistic hipster voice, like
Harlan Ellison through the ages. The Fantasy writers are more optimistic—Tolkein
was Catholic, after all, and kind of defined the genre—but I prefer writing SF,
so I’m a bit against the grain. But I have great Christian role models in the
field, like Gene Wolf, Darlene Hartman, and Connie Willis.
Thanks again for asking me these questions! If anyone is interested in checking out the coolio comic book, with graphic versions of poems originally published Rattle, Strange Horizons, the Poetry Foundation, and elsewhere, head over to my website, www.johnphilipjohnson.com. Free review copies to bloggers, paper or digital. And I’m always glad to hear from people for whatever reason.
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I'd like to add that John Philip Johnson has a brand new poem, "Selenites," in The Pedestal Magazine #76.
Thanks to John Philip Johnson, and thank you for reading!
Thanks to John Philip Johnson, and thank you for reading!
Wendy Rathbone